Time to put Waterloo behind us and turn to another battle,
later in the 19th century.
A few weeks ago I reviewed Paul Fraser Collard’s novel, ‘The Scarlet Thief’ which tells the story of the Battle of the Alma in the Crimean
War (1854). It’s told from the point of view of Jack Lark, a common soldier,
who has stolen the identity of an officer and now finds himself leading a
company against Russian troops. I looked at some other reviews and saw that
many people were uncomfortable with the central idea that a regular soldier
could pass himself off in this way. It's an interesting question for two
reasons.
Firstly there's the whole issue of how realistic fiction needs to be. I have had criticism of ’The White Rajah’ on the grounds that my narrator, like Paul Collard’s hero, is unrealistic, because an illiterate sailor could not have learned to express himself so well on paper. But both Paul and I are using our character as a sort of "Everyman" to allow more insight into the events they are describing. It's a well-established technique in fiction where, strange to say, not everything the author writes is absolutely true. That, after all, is what fiction is.
Firstly there's the whole issue of how realistic fiction needs to be. I have had criticism of ’The White Rajah’ on the grounds that my narrator, like Paul Collard’s hero, is unrealistic, because an illiterate sailor could not have learned to express himself so well on paper. But both Paul and I are using our character as a sort of "Everyman" to allow more insight into the events they are describing. It's a well-established technique in fiction where, strange to say, not everything the author writes is absolutely true. That, after all, is what fiction is.
Secondly, and rather importantly, it's not always clear that
these "unrealistic" characters are all that unrealistic at all. I had
that problem in ‘Cawnpore’ where my European protagonist disguises himself as
an Indian. It is, as I’ve explained on this blog,
not nearly as unlikely as some critics claim. Today, though, I’m handing over
to Paul Collard to explain why Jack Lark isn't necessarily as unrealistic as
you might think.
The Epaulette Gentry
Jack Lark is an imposter. I make no
bones about it. He steals other lives, taking them as his own, and these
assumed identities plunge him into adventures that he could never have dreamt
of experiencing when he was just an ordinary redcoat serving on garrison duty
in a quiet English town.
To some the
notion of such an imposter is mere twaddle, the premise so wholly unlikely that
Jack’s stories are just not credible. I do not agree with this accusation. For
one, it plays to stereotypes, something that I do not like one bit. It assumes
that all officers of the period were highly educated gentlemen from a world
unrecognisable from that lived in by the men under their command. It also
assumes that the men in the ranks, the fabled British redcoats, were uneducated
brutes, who had no idea how to pass the port, or how to talk about fox hunting,
or any of the other things that a stereotypical upper class officer would
clearly have talked about at all times.
The Battle of the Alma |
Neither of these
two assumptions is necessarily true. I worked hard on Jack’s story, taking the
time, and thought, to give him the skills he would need to succeed as an
imposter. I am happy to say this part of Jack’s story now forms a central part
of the three short stories that are being published alongside the main series,
and it was a real treat to be able to show more of where my Scarlet Thief came
from.
You see, not
every redcoat was an uneducated ruffian, and rudimentary reading and writing
skills were more common than some may imagine. Around one in six redcoats were
literate, a number shocking by today’s standards, but not perhaps, as scarce as
the stereotype requires. These skills were essential for any redcoat looking to
progress up the ranks, and many regiments actively encouraged their
acquisition. It would be true to say that the education of the men in the ranks
was largely dependant on the mindset of the regiment’s colonel, but many
regiments had libraries, albeit stocked by the colonel himself and likely to
reflect his thoughts on what was suitable for his men. Soldiers deemed worthy
were given the chance to use these facilities to acquire the clerking skills
they would need to progress to a higher rank, but there would often be an older
soldier happy to help in their education that could be as broad as many found
in a school of the period. Many redcoats would have become quite as educated as
their officers.
We should also
consider what manner of man became a British army officer at the time Jack
carries off his scandalous imposture. Would they really be cut from such a
different cloth from the men they commanded, that a ranker pretending to be an
officer would really be as noticeable as a peacock in a henhouse? We must
remember that this is the period where no qualification was required to become
an officer, and there was no formal military training provided outside of that
given by a new officer’s regiment. Quite simply, if you could afford to buy
your first commission then that was deemed the only qualification needed.
It is true that
a number of officers would hail from the upper classes, especially those who
purchased commissions in the fashionable guard and cavalry regiments. But what
about those regiments with a little less dash, those humble line regiments that
came from the counties of Britain? Many of these regiments were officered by
the epaulette gentry; men from respectable enough backgrounds, but for whom
their purchased commission was really their only evidence of belonging to some
notion of gentry. Such men hailed from a world surprisingly close to that
inhabited by some of the men they would command.
I believe that
these younger sons of country squires, clergymen or successful tradesmen, would
not be so vastly different to a man with a keen mind and the brains to use his
time in the regimental library to acquire some degree of learning. In such
company Jack would hardly have stood out, his time as an officer’s orderly
giving him an insight into the officers’ world and the opportunity to learn,
and then ape, their ways.
He is given time
to practice his imposture, the long journey to the Crimea offering him the opportunity
to play his assumed role in the company of his fellow travellers, but not in
the familiar setting of an officer’s mess where perhaps his deception would be
revealed all too quickly. Once in the Crimea, there is little time for any to
doubt him, the start of the campaign against the Russian Empire consuming every
officer’s energy, and surely enough of a distraction to let them put aside any
concerns about a fellow officers manners or accent. In battle, social
distinction means nothing, and Jack’s true talent as an officer comes to the
fore. It is there that he demonstrates the courage and leadership that his men
need so desperately in the maelstrom of battle.
So perhaps he
does stand out after all. He is a fighter and a leader of men, traits rare in
any period of history. His education may be lacking in parts, but he has the
vital ingredients that any officer requires.
For me, and for
my story, that is enough.
Paul Collard
Paul's love of military history started at an early age. A childhood spent watching films like Waterloo and Zulu whilst reading Sharpe, Flashman and the occasional Commando comic, gave him a desire to know more of the men who fought in the great wars of the Nineteenth and Twentieth Centuries. At school, Paul was determined to become an officer in the British army and he succeeded in winning an Army Scholarship. However, Paul chose to give up his boyhood ambition and instead went into the finance industry. Paul stills works in the City, and lives with his wife and three children in Kent.
Paul's love of military history started at an early age. A childhood spent watching films like Waterloo and Zulu whilst reading Sharpe, Flashman and the occasional Commando comic, gave him a desire to know more of the men who fought in the great wars of the Nineteenth and Twentieth Centuries. At school, Paul was determined to become an officer in the British army and he succeeded in winning an Army Scholarship. However, Paul chose to give up his boyhood ambition and instead went into the finance industry. Paul stills works in the City, and lives with his wife and three children in Kent.
As a fellow historical novelist (1860 period), I do slightly despair at the 'it's not realistic' crew. No, it's fiction! And as long as the background research is impeccable, whatever is imagined, holds. Reading Wilkie Collins, or Dickens, the improbabilities of characters hiding some aspect of their identities never seemed to bother their authors. And, to change genres, the likelihood of a young impressionable woman succumbing to the sado-masochistic charms of an older man doesn't seem to perplex many readers of the ubiquitous 50 shades. Nor the sudden appearance of Platform 8 3/4 ..or wherever it was that Harry Potter set off for Hogwarts.
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